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Tuesday, April 28, 2020 | History

6 edition of myth of the descent to the underworld in postmodern literature found in the catalog.

myth of the descent to the underworld in postmodern literature

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Published by Edwin Mellen Press in Lewiston, N.Y .
Written in English

    Subjects:
  • Voyages to the otherworld in literature.,
  • Fiction -- 20th century -- History and criticism.

  • Edition Notes

    Includes bibliographical references (p. [345]-353) and index.

    StatementEvans Lansing Smith.
    SeriesStudies in comparative literature ;, v. 59, Studies in comparative literature (Lewiston, N.Y.) ;, 59.
    Classifications
    LC ClassificationsPN56.O7 S66 2003
    The Physical Object
    Paginationiii, 365 p. :
    Number of Pages365
    ID Numbers
    Open LibraryOL3685936M
    ISBN 100773467009
    LC Control Number2003048811

    Dumuzid, later known by the alternative form Tammuz, is an ancient Mesopotamian god associated with shepherds, who was also the primary consort of the goddess Inanna (later known as Ishtar). In Sumerian mythology, Dumuzid's sister was Geshtinanna, the goddess of agriculture, fertility, and dream the Sumerian King List, Dumuzid is listed as an Abode: Heaven (for half the year) Kur (for the other .


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myth of the descent to the underworld in postmodern literature by Evans Lansing Smith Download PDF EPUB FB2

The Myth of the Descent to the Underworld in Postmodern Literature (Studies in Comparative Literature) [Smith, Evans Lansing] on *FREE* shipping on qualifying offers.

The Myth of the Descent to the Underworld in Postmodern Literature (Studies in Comparative Literature)Cited by: 1. This book presents the most comprehensive study currently available of the myth of the descent to the underworld in postmodern literature. It develops a theory of necrotypes - archetypal images consistently evoked by the myth of the nekyia - and applies it to close readings of selected works by major authors of the period5/5(1).

About the Author. Evans Lansing Smith is a professor of English at Midwestern State University in Wichita Falls, Texas. He is the author of seven books, including The Myth of the Descent to the Underworld in Postmodern Literature, Figuring Poesis: A Mythical Geometry of Postmodernism, Ricorso and Revelation: An Archetypal Poetics of Modernism, Cited by: 3.

This book presents the most comprehensive study currently available of the myth of the descent to the underworld in postmodern literature. It develops a theory of necrotypes – archetypal images consistently evoked by the myth of the nekyia – and applies it to close readings of selected works by major authors of the period, from Alejo Carpentier and Octavo Paz to Thomas Pynchon and Ken : Thomas Pynchon and the Postmodern Mythology of the Underworld is devoted to the work of one of the most highly acclaimed writers of the post-World War II period of American literature, Thomas Pynchon.

Through close readings and broad amplification, this book illustrates that the descent to the underworld is the single most important myth in Pynchon’s work, conferring. Thomas Pynchon and the Postmodern Mythology of the Underworld is devoted to the work of one of the most highly acclaimed writers of the post-World War II period of American literature, Thomas Pynchon.

Through close readings and broad amplification, this book illustrates that the descent to the underworld is the single most important myth in Pynchon’s work, conferring Cited by: 4.

He is the author of seven books, including The Myth of the Descent to the Underworld in Postmodern Literature, Figuring Poesis: A Mythical Geometry of Postmodernism, Ricorso and Revelation: An Archetypal Poetics of Modernism, and Rape and Revelation: The Descent into the Underworld in Modernism.

show more2/5(1). Stories of a visit to the realm of the dead and a return to the upper world are among the oldest narratives in European literature, beginning with Homer’s Odyssey and extending to contemporary culture.

This volume examines a series of fictional works by twentieth- and twenty-first century authors, such Toni Morrison and Elena Ferrante, which deal in various ways with the descent Author: Judith Fletcher. Myth of the Descent to the Underworld The Fin-de-siècle Hell of Indifference and Fragmentation in Charles Palliser’s The Sensationist This paper approaches Charles Palliser’s The Sensationist () in the light of one of the myths most frequently found in modernist art and literature: the descent to the underworld.

In Greek myth of the descent to the underworld in postmodern literature book, for example, Orpheus enters the Underworld in order to bring Eurydice back to the world of the living. Most katabases take place in a supernatural underworld, such as Hades or Hell — as in Nekyia, the 11th book of the Odyssey, which describes Odysseus 's descent to the Underworld.

Through close readings and broad amplification, this book illustrates that the descent to the underworld is the single most important myth in Pynchon's work, conferring shape and significance upon each of his novels. This book also offers a unique perspective on postmodernism. In addition, Thomas Pynchon and the Postmodern Mythology of the Underworld is a major contribution to the study of myth and literature as a whole, through the definition of what Evans Lansing Smith calls necrotypes – archetypal images catalyzed by the mythology of the underworld.

This book employs an interdisciplinary methodology that will be of critical interest to scholars of comparative literature, mythology, and religion; to theorists and critics of modernism and postmodernism. In addition, Thomas Pynchon and the Postmodern Mythology of the Underworld is a major contribution to the study of myth and literature as a whole, through the definition of what Evans Lansing Smith calls necrotypes - archetypal images catalyzed by the mythology of the underworld.

This book employs an interdisciplinary methodology that will be. Myths of the Underworld in Contemporary Culture: The Backward Gaze examines a series of twentieth and twenty-first century fictional works that adapt Greco-Roman myths of the catabasis, the heroic journey to the underworld.

Covering a range of genres - including novels, comics, and children's culture, by authors such as Elena Ferrante, Salman Rushdie, Neil Gaiman, A. The descent into the underworld, particularly to the kingdom of the dead, is one of the central themes in myths explaining the cosmic order, the limits and possibilities of the human being, the relationships between gods, and human relationships with god or the gods.

The descent to the underworld is the single most important myth for the modernist authors who wrote during C.G. Jung’s lifetime. Serving as a central allusion in theirAuthor: Evans Lansing Smith. He is the author of seven books, including "The Myth of the Descent to the Underworld in Postmodern Literature," "Figuring Poesis: A Mythical Geometry of Postmodernism," "Ricorso and Revelation: An Archetypal Poetics of Modernism," and "Rape and Revelation: The Descent into the Underworld in Modernism."Author: Evans Lansing Smith.

Preview ‘Myths of the Underworld’ are, as it were, an obol-under-the-tongue a dozen—or, if you prefer your deathly coinages high-cultural, as many as the souls crowding the near side of the River Styx: “as many as the fallen leaves of autumn.” 1 Beyond literal ‘journeys below’ (a katabasis, on which a still-living traveler takes an extraordinary journey to the land of the dead Author: Benjamin Eldon Stevens.

Descent into Beauty by KatOMyth (WorldCat user published ) Permalink Smith's treatise on the descent into the underworld, sadly now out of publication, is a powerhouse of lyric idea on this under-examined mythic realm. About the Author. Evans Lansing Smith is a professor of English at Midwestern State University in Wichita Falls, Texas.

He is the author of seven books, including The Myth of the Descent to the Underworld in Postmodern Literature, Figuring Poesis: A Mythical Geometry of Postmodernism, Ricorso and Revelation: An Archetypal Poetics of Modernism, Author: Evans Lansing Smith.

In addition, Thomas Pynchon and the Postmodern Mythology of the Underworld is a major contribution to the study of myth and literature as a whole, through the definition of what Evans Lansing Smith calls necrotypes - archetypal images catalyzed by the mythology of the underworld.5/5(1).

This is a cached version of the file Literature of original is in rtf format. Some descent to Hell narratives, listed by historical period. Terms for Descent to the Underworld: nekyia, katabasis (both Greek); descensus ad inferos (Latin). In addition, Thomas Pynchon and the Postmodern Mythology of the Underworld is a major contribution to the study of myth and literature as a whole, through the definition of what Evans Lansing Smith calls necrotypes - archetypal images catalyzed by the mythology of the underworld.

This book employs an interdisciplinary methodology that will be of critical interest to scholars. Hidden deep within the bowels of the earth and ruled by the god Hades and his wife Persephone, the Underworld was the kingdom of the dead in Greek mythology, the sunless place where the souls of those who died went after death.

Watered by the streams of five rivers (Styx, Acheron, Cocytus, Phlegethon, and Lethe), the Underworld was divided into at least four regions:. Evans Lansing Smith is a professor of English at Midwestern State University in Wichita Falls, Texas.

He is the author of seven books, including The Myth of the Descent to the Underworld in Postmodern Literature, Figuring Poesis: A Mythical Geometry of Postmodernism, Ricorso and Revelation: An Archetypal Poetics of Modernism, and Rape and Revelation: The Descent into the Underworld.

All around the world, myths address questions that humans have always posed about their origins, their environments, their ultimate destinies, and the meanings of their lives. This book examines 30 common motifs that thread their way through mythological tales across history and around the globe.

The themes are presented in alphabetical order, moving from The Afterlife and Animals in Myth /5(2). The Introduction situates the myth of the descent to the underworld (catabasis) in a broad historical context beginning with Ancient Near East traditions, including the Sumerian poem preserved in cuneiform, “The Descent of Inanna,” and extending to medieval treatments such as “The Visions of the Knight Tondal”, and those of the early modern period.

myths of the underworld journey Download myths of the underworld journey or read online books in PDF, EPUB, Tuebl, and Mobi Format. Click Download or Read Online button to get myths of the underworld journey book now. This site is like a library, Use search box in the widget to get ebook that you want.

James Merrill, Postmodern Magus: Myth and Poetics [Evans Lansing Smith]. One of the unique voices in our century, James Merrill was known for his mastery of prosody; his ability to write books that were not just collected poems but unified works in wAuthor: Evans Lansing Smith.

Christian mythology is the body of myths associated with Christianity and the term encompasses a broad variety of legends and stories, especially those considered sacred narratives. Mythological themes and elements occur throughout Christian literature, including recurring myths such as ascending to a mountain, the axis mundi, myths of combat, descent into the Underworld.

ISBN: OCLC Number: Description: viii, pages: illustrations ; 23 cm. Contents: List of figures --Introduction --Source texts --Odyssean Nekyia --Heracles and Dionysus --Descent of Aeneas --Orpheus and Eurydice --Persephone --Elements of the underworld narrative --Ghost of the father: spirits of the postmodern --Finding the way in.

In literature and poetry, a shade (translating Greek σκιά, Latin umbra) is the spirit or ghost of a dead person, residing in the underworld. An underworld where the dead live in shadow is common to beliefs in the ancient Near East, in Biblical Hebrew expressed by the term tsalmaveth (צַלמָוֶת: lit.

"death-shadow", "shadow of death"; alternate term for Sheol). The poems in this first book tend to be organized by form and by reiterations of the nekyia, variously figured throughout. Merrill’s first engagement with a classical myth explicitly related to the nekyia and to the realm of “The Mothers” (as Goethe called the queens of the underworld) is the richly suggestive poem called “Medusa,” oddly omitted from theSelected Poems.

Get this from a library. Thomas Pynchon and the postmodern mythology of the underworld. [Evans Lansing Smith] -- Thomas Pynchon and the Postmodern Mythology of the Underworld is devoted to the work of one of the most highly acclaimed writers of the post-World War II period of American literature, Thomas.

The Myth Of The Descent To The Underworld In Postmodern Literature. avg rating — 2 ratings — published /5. Postmodern Mythology of the Underworld, Modern American Literature: New Approaches, vol.

62 (New York: Peter Lang, ). Kathryn Hume Evans Lansing Smith comes to this project with several prior books to establish his authority on modernist and postmodernist uses of myth and specifically the myth of descent and return.

That five of Thomas. The Myth Of The Descent To The Underworld In Postmodern Literature by Evans Lansing Smith avg rating — 2 ratings — published Archetypal literary criticism is a type of critical theory that interprets a text by focusing on recurring myths and archetypes (from the Greek archē, "beginning", and typos, "imprint") in the narrative, symbols, images, and character types in literary an acknowledged form of literary criticism, it dates back to when Classical scholar Maud Bodkin published Archetypal.

The study presents the most comprehensive analysis of the descent to the underworld in Modernism. The work shows that the nekyia was the single most important myth for the Modernists writing between and It focuses on ‘necrotypes’, symbolic images typically found in association with descent to the underworld.

It also takes an interdisciplinary Author: Smith, Evans. Illustrates that the descent to the underworld is the single most important myth in Pynchon's work, conferring shape and significance upon each of his novels.

This book offers a perspective on postmodernism, which is characterized by ludic syncretism - the playful synthesis of myths from a variety of cultures. The underworld is the world of the dead in various religious traditions, located below the world of the living. Chthonic is the technical adjective for things of the underworld.

The concept of an underworld is found in almost every civilization and "may be as old as humanity itself". Common features of underworld myths are accounts of living people making journeys to the underworld.Aeneid Book 6, Lines to Click to return home. Aeneas must enter the underworld, a task undertaken by only a few heroes in mythology [including Odysseus, Heracles, and Orpheus, though the last fails to recover the object of his quest, his beloved Eurydice].

But Aeneas is not allowed to enter the underworld without the fabled "golden.In Greek mythology and Roman mythology, Charon or Kharon (/ ˈ k ɛər ɒ n,-ən /; Greek Χάρων) is a psychopomp, the ferryman of Hades who carries souls of the newly deceased across the rivers Styx and Acheron that divided the world of the living from the world of the dead.

A coin to pay Charon for passage, usually an obolus or danake, was sometimes placed in or on the .